There’s Someone Inside Your House
Scream meets YA in this hotly-anticipated new novel from the bestselling author of Anna and the French Kiss.
One-by-one, the students of Osborne High are dying in a series of gruesome murders, each with increasing and grotesque flair. As the terror grows closer and the hunt intensifies for the killer, the dark secrets among them must finally be confronted.
International bestselling author Stephanie Perkins returns with a fresh take on the classic teen slasher story that’s fun, quick-witted, and completely impossible to put down.
There’s Someone Inside Your House is the perfect book to read in the week leading up to Halloween, but don’t expect to get too scared by this book. Until the final quarter, TSIYH is more love story than it is horror story. You’ll be more grossed out than anything, with really gruesome and gory murders serving as the backdrop for the romance that blooms between Makani and Ollie.
I love Stephanie Perkins, but she does try too hard to point out the diversity in her books. She writes diversity in such a way that it’s like she’s inserted a flashing neon sign pointing it out, which bugs me. It’s great that we have such a diverse cast, and not so great that Perkins underlines it five times with a red pen.
It seemed to me that this book was marketed as a horror story and I found that misleading. Thriller is a more appropriate word. Romantic thriller is a more accurate genre for it to fit into. I expected to be put on the edge of my seat the entire time I was reading it, and I definitely was not. I was also disappointed that the killer is revealed halfway through the book. It takes part of the surprise out of it. However, I was very pleased with the motives Perkins created and thought that the reasoning behind the killings was very realistic. Given that this is a story about a teenage killing rampage, it fits that the motivation the killer had was simplistic and maybe a little attuned to someone who hadn’t experienced very much of the world, or of life, yet.
Loved—the setting. What is it about the countryside that is so creepy? And the backdrop of the seasons being on the verge of shifting from fall to winter made the stark setting feel even more bleak and hopeless. I also loved Stephanie Perkins’ ability to make you care about characters that only get a few pages before they’re murdered; in a limited number of words she has created a fully realized character with a history and a future, both of which are erased in seconds, and that really got to me towards the end. Especially with KK’s death (initials to try to avoid spoilers)—that one really got to me. Also, please see the image below for my biggest love in this book: the fact that Perkins wrote about a girl peeing and having to change her tampon. #Godbless
Disliked—the abrupt ending. Holy crud, it feels like the last part of the book is missing. Are we getting a sequel? Was there an editing error? I mean, WHAT? It really irritated me to turn that final page and suddenly be faced with the word “Acknowledgements”. Exqueeze me? No, ma’am. We deserve more resolution than that.
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Thank you to Penguin Random House Canada for providing me with a review copy.