3 out of 5
In Sarah Maine’s The House Between Tides, a deceased painter’s Scottish summer house is inherited by Hetty. Her attention is immediately brought to the bones discovered under the centuries-old manor, and the story of the manor’s previous owners is slowly woven together. Theo Blake and his young wife Beatrice had a happy start, but their relationship soon grew troubled as the house and its memories haunted the artist. What happened that led to the body under the floorboards?
Like Theo Blake, Maine is a painter in her own right, sucking the reader in through the picturesque Scottish landscape. Beatrice’s storyline throbs with intensity and keeps the story alive. In contrast, Hetty and company are far from fully formed characters; it is clear that Maine cared more for the characters of the past and neglected to bring the same interest and tension into the present storyline. Additionally, the plot does little to build suspense in the reader until the end. Not that the novel is boring, but rather Maine carries the reader along a horizontal path that suddenly spikes with fifty pages left to go. A slow read that would have worked better had Maine focused on the stronger storyline and done away with the other all together.